'Superstiton and Symbolism in Macbeth'

' there are numerous medical prognosiss which include a characters superstitious notions in Shakespeares Macbeth. Macbeth and his married woman spend into a lot of these superstition throughout the play. They fall into the superstitions of the witches and believe their prophecies. As a end point they commit some(prenominal) sins and attains out of greed. These sins issue to sub surely get the best Macbeth and gentlewoman Macbeth with guilt. some examples of the ways we tell ap stratagem that they feel blameable are the obelisk, spread and the sleepwal tycoon scenes.\n each(prenominal) of these scenes occur in different places and go by to different people. completely of these scenes bring forth numerous differences and different perk up on the play. However, they besides acquire more similarities. Each scene helps to show the interview the guilty conscience that Macbeth and Lady Macbeth have as a result of the take outs. tout ensemble of these scenes supers titiously make the main characters at last feel the consequences of their actions. \nThe witches in the play estimate to Macbeth that he impart be king of Scotland. The Third beldame says, All hail, Macbeth, that shalt be King / afterlife! (I. ii. ll, 56-57). This was only a shove to Lady Macbeth to consider the murder of King Duncan so her husband could down the throne. She eventually persuades Macbeth to murder him. Just onwards he goes to wipe out him he becomes terror-stricken and guilty. When he prepares to erase Duncan he starts to hallucinate. \nMacbeth sees a floating obelisk with blood on it. This is obviously just his imagination and conscious speaking, that to superstitious Macbeth it meant something. He says, Is this a dagger which I see onward me, / The lotle toward my hand? Come, let me mint thee! / I have thee not, and yet I see thee still. / craft thou not, blackened vision, sensible / To picture as to band? Or art thou but / a dagger of the mind, a ludicrous creation, / Proceeding from the heat-oppressed outlook? (II. i. ll, 43-48). This is the first symbolic representation of guilt that Macbeth feels. He doesnt...'